Oops I Did It Again Aesthetic
| Oops!... I Did Information technology Once again | ||||
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| Studio album by Britney Spears | ||||
| Released | May 3, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
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| Genre |
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| Length | 44:37 | |||
| Label | Jive | |||
| Producer |
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did Information technology Again | ||||
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Oops!... I Did It Again is the second studio anthology by American vocalizer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Baby Ane More Time (1999), it is a popular, trip the light fantastic toe-pop, and teen popular record, the album incorporates a more funkier and R&B sounds. [1] Contributions to the anthology's production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]
Upon its release, Oops!... I Did Information technology Over again received positive reviews from music critics, who praised its production, sonic quality and Spears' song performance. The album became a massive commercial success, debuting at number one in over twenty countries while peaking within the top 5 in diverse other. In the United States, it debuted at number ane on the Billboard 200, with first-calendar week sales of 1.39 million copies, condign the fastest selling album by a female person artist since Nielsen SoundScan began tracking indicate-of-sale music purchases in 1991.[iii] This record was broken fifteen years later on by Adele's 25, which sold over iii.38 million copies in its first week of release.[4] It became Spears' second consecutive album to be certified Diamond past the Recording Industry Association of America, cogent sales of over ten meg copies in the United states of america, making Spears at historic period 18 the youngest artist to take multiple diamond albums.[five] With worldwide sales of over 20 1000000 copies,[vi] Oops!... I Did Information technology Again is ane of the all-time-selling albums of all-fourth dimension.
4 singles were released to promote the anthology. Its title track was commercially successful in a number of territories, reaching number ane in fifteen countries and peaking at number nine on the US Billboard Hot 100. Its second single, "Lucky", peaked at number one in Austria, Frg, Sweden and Switzerland, within the acme x in Australia, Belgium, Canada, Denmark, Republic of ireland, Italy, holland, New Zealand, Kingdom of norway, Poland, Romania and the United Kingdom, and at number xx-iii on the US Billboard Hot 100. Its tertiary single, "Stronger", reached the top ten in Austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number eleven on the The states Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gilded certification in Australia, Denmark, Germany, New Zealand, Sweden, and the United States. Its terminal single, "Don't Allow Me Be the Terminal to Know", was moderately successful on the charts, peaking at number one in Romania, and inside the top x in Austria, Poland, and Switzerland, but failed to chart on the US Billboard Hot 100. To promote the album, Spears performed on several television shows and award ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She also was the host and musical guest for the first fourth dimension on Saturday Nighttime Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Again Bout, starting on June 20, 2000 and ending at the Stone in Rio festival on January 18, 2001.
Recording and product [edit]
"When I did the first album, I had just turned sixteen. I mean, when I await at the album cover, I'k similar, 'Oh, my lordy.' I know this side by side anthology's going to exist totally different--especially the fabric. I just got finished recording the first half-dozen tracks in Sweden two months ago, and the textile is so much more funkier and edgier. And, of course, it's more mature because I've grown equally a person too."
—Spears on the progression of her material for the album.[7]
After vacationing for half-dozen days post-obit the completion of the ...Baby One More Time Bout in September 1999,[8] Spears returned to New York Urban center to begin recording songs for her next anthology; the majority of the recording took identify in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did Information technology Once more", "Walk on By" (subsequently covered by Gareth Gates), "What U See (Is What U Get)", and "Don't Go Knockin' on My Door" were the start to exist recorded at Martin's Cheiron Studios in the first week of Nov; followed past "Stronger" and "Lucky", which were finalized (along with the title rail) in January 2000. Spears recorded "Don't Let Me Be the Concluding to Know" at Robert Lange's villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are You Now" was an outtake from ...Baby One More Time. "Girl in the Mirror" and "Tin can't Make You Dear Me"'s instrumental rail and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-Jan at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking upwards with producer Steve Lunt to tape Diane Warren's "When Your Eyes Say Information technology" at Bombardment Studios on Friday, January 28, 2000, which preceded her TRL appearance that 24-hour interval. "One Kiss from You lot" was too recorded at Battery Studios but was later finished at 3rd Floor in New York City. Spears besides recorded the last track for the album "Dearest Diary" which would subsequently be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Eye". Her comprehend of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 after attending the 42nd Annual Grammy Awards.[13] [14]
By Jan, the then-untitled anthology was halfway to completion; Spears had worked on information technology primarily in the Usa and Sweden, and finalized textile in New York City.[9] She was heavily pressured afterwards ...Baby One More Time 's huge commercial success, stating: "It's kind of hard following 10 million, I have to say. Simply later on listening to the new cloth and recording it, I'm really confident with it."[15] Upon the release of Oops!...I Did It Once again, Spears said: "I hateful, of class in that location's some pressure", and added: "But in my opinion, [Oops!] is a lot ameliorate than the first anthology. It'south edgier – it has more of an attitude. It's more than me, and I think teenagers will relate to it more." Geoff Mayfield, managing director of Billboard charts, added that the decision to release Oops!... I Did Information technology Again less than a year and a half after Spears' debut amounts to "very smart timing. My philosophy is when you have a young fan base of operations, become 'em while they're hot."[xvi]
Music and lyrics [edit]
Oops!... I Did Information technology Again was considered as a sequel to Spears' debut album, ...Babe One More than Time (1999),[one] percolating with a carefully measured alloy of familiar popular, funk, R&B and power balladry.[17] Spears said during an interview that the album has a more mature, R&B-flavored pop sound. "It's not something I changed purposefully", Spears said of the anthology's sound and added: "It's but something that kind of inverse on itself with me being older. My voice has changed a little bit and I'm more confident, and I retrieve that comes across on the textile."[7] 1 of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "It's going to shock everybody", adding: "It has flavors of the original, simply it's a straight 2000 version — new to the ear. Which I recall is cool, because people who appreciate that song are going to love it. And I made information technology then new and young that the young kids that dear Britney are going to love it. It'southward going to grab both a mature and young audience."[18] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Last to Know", telling MTV News: "When yous hear the song, information technology's and then pure and delicate. It's just one of those songs that pull you in", and added: "I remember they wrote it 'particularly for me, because the lyrics of the vocal, if you lot actually listen … they're more than of what I can relate to, 'cause they're kind of young lyrics, I think. I don't think Shania would probably sing some of the words that I'g saying."[xviii]
The title track and opening vocal, "Oops!... I Did It Once again", was compared to her debut unmarried, "...Infant One More Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized vanquish. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, you think I'thou in love/That I'm sent from in a higher place — I'thou not that innocent."[19] The song besides breaks down for a spoken-discussion interlude, involving a line from the movie Titanic (1997).[19] The 2d track "Stronger" is a synthpop[twenty] and R&B-infused rail,[18] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like property.[21] The line "my loneliness own't killing me no more than" makes reference to the poesy "my loneliness is killing me" from her song "...Infant One More Time".[18] Another R&B-infused rail, which also adds a bit more funk to the mix,[18] "Don't Go Knocking on My Door" finds Spears confidently forging alee after a breakdown.[21] The fourth runway, a cover of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown down, turning the song into an urban stomp.[22] The trip the light fantastic-pop version also jettisons the song's final poetry and adds some new lyrics[18] ("how white my shirts could exist" becomes "how tight my skirt should be").[23] "[It] was my thought [to record the song]", Spears said. "I was just similar, 'I like this song,' and I call up it will exist a really cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a actually funky song similar that."[24] The fifth track, "Don't Permit Me Be the Terminal to Know", was co-written past state-popular vocalizer-songwriter Shania Twain and her then-husband, producer Robert "Mutt" Lange, who too produced the rails.[xviii] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears allowing a bit of state twang into her vocals as she begs a lover to reveal his feelings: "My friends say you're into me ... but I demand to hear it straight from yous", she sings.[18]
The sixth rails "What U Meet (Is What U Get)" demands respect by rebuking a jealous partner,[21] while the seventh rail, "Lucky", is a center-rending tale of a Hollywood starlet'due south loneliness, proving that fame can be empty.[21] "If there'southward nothing missing in my life/And so why do these tears come at night?", she asks.[20] "School crush" is the theme of "One Kiss from You",[21] a track that has a reggae-style beat and lyrics about the feelings of falling in dear, and the quickness of it,[25] with Spears cooing that after only ane kiss she sees her entire future with her lover.[26] The carol "Where Are You lot Now" talks about wanting to know where a previous dear is, and what that person is up to, so that she tin finally let them become and find closure.[ citation needed ] Lines on "Can't Make You lot Love Me", a Europop song,[22] state that fancy cars and coin pale in comparing to true love,[21] with Spears singing: "I'm merely a girl with a crush on you."[22] The mid-tempo, synth-backed "When Your Eyes Say It", written past songwriter Diane Warren, combines a string section with a loping hip hop beat out,[18] while Spears makes her own songwriting debut on the modest, keyboard-driven ballad "Beloved Diary", which she said is autobiographical. On the rail, she sings of wanting to go "so much more than friends" with a male child.[18]
Release and promotion [edit]
In late 1999, Spears promoted her upcoming album in Europe with alive performances of her past songs. She appeared on Smash Hits in the Great britain.[27] In Italia, she did a curt interview on the television show TRL Italy in early 2000.[27] and gave a surprise performance in Paris in May 2000.[28] In Australia, Spears appeared on The House of Hits and Russell Gilbert Alive on May 13.[27] In Espana, she gave an interview with El Rayo on September eight and October 24.[27] Spears performed at big venues in the United Kingdom, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a short United kingdom outing in October 2000.[28]
Oops!... I Did Information technology Again was first released in Japan on May 3, 2000, and was afterwards released in the United states on May 16. In the United states, Spears appeared on Saturday Night Live on May 13, The Rosie O'Donnell Show on May 15, and Teen People's 25 Nether 25 on May 26.[29] On May 10, she was interviewed on Late Night with Conan O'Brien.[27] On May 13, Spears was both the host and musical guest on NBC'due south Saturday Dark Live. She also performed on NBC's The Tonight Show with Jay Leno on May 23.[xxx] Spears' held her post-TRL listening party, "Britney's Commencement Listen", on May 16, and was toast the arrival of her album on next Tuesday's installment of TRL that started at iii:30 p.thou. (ET).[31] On May fourteen, she was at Times Square studios for two hours of "Britney Live" that started at apex.[31] Spears performed "Oops!... I Did It Once again" on MTV'due south All Access: Backstage with Britney that was broadcast on July xix, 2000.[27] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio City Music Hall, Spears gave a memorable live performance.[32] which included a cover of the Rolling Stones'due south hit single "(I Can't Get No) Satisfaction" (1965) and her own hit "Oops!... I Did It Over again", released earlier that year. While she began her segment in a black suit, she shocked the audience and the media while, at only the age of eighteen, ripped it off to display a revealing, mankind-colored stage outfit with hundreds of strategically placed Swarovski crystals.[33] One calendar month earlier the release of the album, Spears headed to Hawaii on Easter Dominicus then she could record a Fox boob tube special titled Britney Spears in Hawaii. The free concert was held on the beach in front of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[34] The Fox concert event was intended to serve as a preview of Spears' Oops!... I Did It Again album that features her twelve new songs.[34] Spears had on a calendar month-long international promotional tour in support of Oops!... I Did Information technology Again, and on May 2, she had a press event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[35] Spears was besides amid the scheduled performers on the 42nd Almanac Grammy Awards, which aired on CBS at eight p.m. (ET/PT).[36] She was likewise expected to appear on a Grammy-day TRL.[36]
The album'south supporting tour, the Oops!... I Did It Again Tour, visited Due north America, Europe, and Brazil as part of Stone in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Over again" and "Don't Let Me Be the Last to Know". On June 24, 2000, Spears was featured in a impress and goggle box advertising campaign for Clairol'southward Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her own vocal for the brand called "I've Got the Urge to Herbal" that was featured in 60-second radio spots and was office of a pre-concert video presentation for Spears's l-city summer concert tour, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did It Again" was released equally the lead single from the anthology and achieved worldwide popularity. It became Spears's third top-ten hit single on the US Billboard Hot 100, peaking at number nine; yet, in comparing to the huge success of her debut single "...Infant One More Time", Jive Records considered "Oops!... I Did It Again" a minor disappointment.[38] The song peaked at number one on the US Mainstream Acme twoscore,[39] property the record for the most radio additions in 1 mean solar day. "Oops!... I Did It Again" peaked atop the charts in Australia, Belgium, Canada, Italy, holland, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[40] An accompanying music video for "Oops!... I Did It Again" saw Spears on Mars in now-iconic red shiny catsuit, while she is visited past an American astronaut who hands her the fictional Heart of the Ocean precious stone which Rose threw into the sea at the end of Titanic.[41]
The anthology's 2nd single, "Lucky", was released on July 24, 2000 and received positive response from the music critics, who considered one of her all-time offerings from the album. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number 5 on the UK Singles Chart.[42] In the The states, "Lucky" only managed to peak at number twenty-three on the Billboard Hot 100 nautical chart and at number ix on the Mainstream Peak 40.[38] The "glittery" music video sees Spears as the narrator and an actress named Lucky, who is a melancholy movie star and shows her conflicted human relationship to fame.[43]
The 3rd unmarried, "Stronger", was released on October thirty, 2000 and became the album's second highest-charting single in the United States, peaking at number xi on the Billboard Hot 100 and number one on the Hot Single Sales.[38] Information technology reached number seven on the UK Singles Chart.[44] Its music video sees Spears catching her boyfriend adulterous on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[43] while the chair sequence in the video was inspired by Janet Jackson'southward video for "The Pleasure Principle".[45]
The quaternary and final single, "Don't Let Me Be the Last to Know", was released on March v, 2001 and is one of Spears' favorite tracks of her career. In the United States, the song performed well below expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Top xl. Even so, the song attained success in Europe, topping the Romanian Meridian 100 and peaking inside the top ten in Republic of austria, Poland and Switzerland, while merely missing the top x in Frg, Republic of ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[46] The music video was considered too racy at the time, portraying Spears in dear scenes with her fictional boyfriend, played by French model Brice Durand.[47]
"You Got It All" received a promotional release in France in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the Britain in Jan 2001.[ citation needed ]
Disquisitional reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[49] |
| Review scores | |
| Source | Rating |
| AllMusic | |
| Billboard | favorable[17] |
| Christgau's Consumer Guide | |
| Entertainment Weekly | B[22] |
| Los Angeles Daily News | |
| MTV Asia | 8/10[52] |
| NME | 8/10[20] |
| Rolling Stone | |
| Salon | favorable[53] |
| Sonic.internet | |
Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Once again received an average score of 72, based on 12 reviews, indicating "by and large favorable reviews".[55] Giving the album four out of v stars, Stephen Thomas Erlewine of AllMusic noted that the anthology "has the aforementioned combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic-pop that made 'I More Time'," but remarked that, "Fortunately, she and her production squad not simply have a stronger overall set of songs this time, merely they also occasionally get carried away with the same bewildering magpie aesthetic, [...] giv[ing] the anthology character apart from the well-crafted dance-pop and ballads that serve equally its heart. In the terminate, it's what makes this an entertaining, satisfying listen."[1] Billboard magazine wrote that "'Oops!...' indicates that she'south developing a soulful edge and emotional depth that can't be conjured with a drinking glass-shattering note," praising the album for consistently cast[ing] Spears every bit a young adult female coming to terms with her inner power—and that'due south a darn good bulletin to offer an impressionable audience."[17] Amusement Weekly's David Browne gave the album a B-rating, writing that the album "reminds us once again that the all-time new popular can be a blast of absurd air in a stifling room."[22]
Rob Sheffield of Rolling Stone gave the album a three-and-a-half out of v stars rating, calling the album "fantastic popular cheese, with much better song-factory hooks than 'N Sync or BSB get", too noting that "the great affair nearly Oops!, under the cheese surface, is complex, fierce and downright scary, making her a true kid of rock & roll tradition."[23] A writer of NME reported that "she'southward modern-24-hour interval pop perfection realised in a nearly, homo class", commenting that "she's done information technology again."[20] Lennat Mak of MTV Asia named it "a brilliant 2d anthology", writing that Spears "is armed with a more mature and seasoned pop star look, stronger and poppier songs, and of grade, extensive media exposure."[52] Andy Battaglia of Salon called the album "a masterpiece of sorts non for its message but for the manner it applies the conventions of the pop-musical medium."[53] Website The A.Five. Club was more mixed, calling it "a joyless fleck of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks as Diane Warren and assorted Swedes."[56]
Accolades [edit]
Commercial performance [edit]
In the United States, Oops!... I Did Information technology Again reportedly sold 500,000 copies in its first day of release.[62] It debuted at number 1 on the Billboard 200 chart, with start-week sales of ane,319,193 copies.[63] [64] [65] With its success, Spears held the record for the highest first-calendar week sales by a female artist.[66] This record was held for 15 years, only to be surpassed in Nov 2015 by the anthology 25 by Adele, which sold over 3.38 one thousand thousand albums in the Us in its start calendar week.[4] The album fell to number two in its 2d week, with additional sales of 612,000 copies.[67] It held this position for 15 consecutive weeks.[68] [69] By its fifth week of availability, Oops!... I Did It Over again had sold over three 1000000 copies and had passed five one thousand thousand copies past August.[seventy] On its seventeenth week on the nautical chart,[71] it was certified septuple Platinum by the Recording Industry Association of America (RIAA) for shipments of seven million units.[72] [73] The album spent eighty-four weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Chart, and two weeks on the US Itemize Albums.[74] Oops!... I Did It Again debuted at number eighty-two on the European Peak 100 Albums, and quickly peaked at number one;[75] it sold over iv 1000000 copies within the continent, existence certified iv-times Platinum by the International Federation of the Phonographic Manufacture.[76] Oops!... I Did It Again reached number 2 on the United kingdom Albums Chart,[40] selling 88,000 copies in the first week of release; it remained in the summit five for 4 weeks. The album debuted at number i in Canada, selling 95,275 copies in its first week.[77]
Information technology topped the French Albums Nautical chart[78] and the High german Offizielle Top 100, as well being certified triple Platinum by the British Phonographic Industry (BPI),[79] double Gold by the Syndicat National de l'Édition Phonographique (SNEP)[lxxx] and triple Platinum past Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number 2 on the Australian Albums Chart, and spent ten weeks in the top 20;[82] it became the fourteenth highest-selling of 2000 in the country and was certified double Platinum by the Australian Recording Industry Association (ARIA) the following twelvemonth after shipping 140,000 copies to retailers.[83] [84] Oops!... I Did It Again opened at number three on the New Zealand Albums Chart and was certified Gold after only ane calendar week on the nautical chart.[85] The Recording Industry Clan of New Zealand (RIANZ) ultimately certified it double Platinum.[86] Oops!... I Did It Again became the third all-time-selling anthology of 2000 in the Usa, selling vii,893,544 albums according to Nielsen SoundScan[87] and 4th best-selling album according to Billboard Year-End of 2000.[88] On Jan 24, 2005, the album was certified decuple Platinum (Diamond) past the Recording Industry Association of America (RIAA).[89] [90] Also, the album landed at number twenty-seven on BMG Music Social club all-fourth dimension best-sellers list with one.21 million units, backside Shania Twain's The Woman in Me (1.24 million) and Nirvana'south Nevermind (1.24 million).[91] As of July 2009, the album has sold ix,184,000 copies in the The states, excluded copies sold through clubs, such as the BMG Music Service.[92] Worldwide, Oops!... I Did Information technology Once again sold 2.5 million copies in its first week (second highest offset calendar week sales by a female artist worldwide) and sold 15 million copies by the end of the year. It was the best-selling female album and 3rd best selling album of 2000. The album has sold 20 million copies worldwide.[half-dozen]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Group and BMG Music Publishing, claiming Spears' "What U See (Is What U Get)" and "Tin't Make You Beloved Me" are "virtually identical" to 1 of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What Y'all See Is What Yous Become" in 1999 to one of Spears' representatives for consideration on a future anthology, though information technology was rejected.[93] The instance was later dismissed after it was ruled that they lacked sufficient prove and that in that location "weren't plenty similarities betwixt the two songs to show copyright infringement."[94]
Track listing [edit]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Oops!... I Did It Again" |
|
| 3:31 |
| ii. | "Stronger" |
|
| 3:23 |
| iii. | "Don't Go Knockin' on My Door" |
|
| iii:43 |
| 4. | "(I Can't Go No) Satisfaction" |
| Rodney Jerkins | 4:23 |
| 5. | "Don't Permit Me Be the Last to Know" |
| Lange | 3:50 |
| 6. | "What U See (Is What U Get)" |
|
| iii:36 |
| 7. | "Lucky" |
|
| 3:26 |
| eight. | "One Kiss from You" | Steve Lunt |
| three:23 |
| 9. | "Where Are You lot At present" |
|
| four:39 |
| ten. | "Can't Make Yous Love Me" |
|
| 3:17 |
| 11. | "When Your Eyes Say It" | Diane Warren |
| 4:29 |
| 12. | "Dear Diary" |
|
| 2:46 |
| Full length: | 44:37 | |||
| No. | Title | Writer(s) | Producer(due south) | Length |
|---|---|---|---|---|
| 12. | "Daughter in the Mirror" | Elofsson |
| 4:06 |
| thirteen. | "Dear Diary" |
|
| 2:46 |
| Total length: | 48:24 | |||
| No. | Championship | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Optics Say It" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| iii:36 |
| 13. | "You Got Information technology All" | Rupert Holmes | Eric Foster White | 4:43 |
| 14. | "Honey Diary" |
|
| 2:46 |
| Total length: | 52:33 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Eyes Say It" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| iii:36 |
| 13. | "Y'all Got It All" | Holmes | White | four:10 |
| fourteen. | "Centre" |
|
| iii:31 |
| 15. | "Honey Diary" |
|
| 2:46 |
| Total length: | 55:34 | |||
| No. | Championship | Length |
|---|---|---|
| 1. | "Don't Let Me Be the Last to Know" (Album version) | 3:50 |
| ii. | "Don't Let Me Be the Last to Know" (Hex Hector Radio Mix) | 4:01 |
| 3. | "Don't Let Me Be the Last to Know" (Hex Hector Club Mix) | x:12 |
| 4. | "Stronger" (MacQuayle Mix Testify Edit) | 5:21 |
| 5. | "Stronger" (Pablo La Rosa'south Tranceformation) | 7:21 |
| vi. | "Oops!... I Did It Over again" (Music video) | iv:eleven |
| 7. | "Lucky" (Music video) | iv:07 |
| 8. | "Stronger" (Music video) | 3:37 |
| ix. | "Don't Permit Me Be the Last to Know" (Music video) | 3:51 |
| Total length: | 30:52 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Oops!... I Did It Once again" (Music video) | 4:20 |
| two. | "Lucky" (Music video) | 4:14 |
| 3. | "Stronger" (Music video) | three:47 |
| iv. | "Oops!... I Did Information technology Again" (Karaoke) | 4:17 |
| 5. | "Lucky" (Karaoke) | 4:eighteen |
| 6. | "Stronger" (Karaoke) | three:46 |
| Total length: | 25:25 | |
Notes
- Track 4, "(I Can't Get No) Satisfaction" is a cover of the 1965 Rolling Stones single.
- ^a signifies a vocal producer
Personnel [edit]
Credits adjusted from AllMusic.[102]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, string arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Mason, Sr. – editing
- Bobby Brown – banana engineer
- Flip Osman – assistant engineer
- Clayton Wood – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – assistant engineer
- Charles McCrorey – engineer, assistant engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Mason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – vocal engineer
- Jackie Potato – art direction, blueprint
- Marking Seliger – back cover, cover photo
- Larry "Rock" Campbell – bass, guitar, producer, drum programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – hair stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken discussion
- Robert "Esmail" Jazayeri – keyboards, producer, drum programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – brand-up
- Johnny Wright – management
- Tom Coyne – mastering
- Nigel Green – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – string coordinator
- Hayley Colina – stylist
- Alfred V. Brown – viola, orchestra contractor
- Julien Hairdresser – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Gene Orloff – violin
- Marion Pinhiero – violin
- Marti Sugariness – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – background vocals
- Audrey Martells – background vocals
- Nana Hedin – groundwork vocals
- Darryl Anthony – background vocals
- Nora Payne – background vocals
- Jeanette Söderholm – background vocals
- Therese Ancker – background vocals
- Charlotte Björkman – groundwork vocals
- Andres Von Hofsten – background vocals
- Nina Woodford – background vocals
- Mona Yacoub – background vocals
- Jeanette Olsson – groundwork vocals
- Stephanie Baer – background vocals
Charts [edit]
Weekly charts [edit]
| Yr-end charts [edit]
Decade-end charts [edit]
All-time charts [edit]
|
Certifications and sales [edit]
Release history [edit]
Encounter also [edit]
- List of best-selling albums
- Listing of best-selling albums by women
- Listing of best-selling albums in the United states
- List of fastest-selling albums
Notes [edit]
- ^ Equally of December 2010, Oops!...I Did It Over again has sold 9,201,000 copies in the United States according to Nielsen SoundScan,[185] with additional 1,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s.[92]
References [edit]
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- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did Information technology Again - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did Information technology Again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Again - Amazon.com Music
- ^ "Oops!... I Did Information technology Again (Special UK Edition)". AllMusic. October 9, 2000. Retrieved August 31, 2021.
- ^ "Oops!... I Did It Over again [Japan 2001 Bonus Tracks]". AllMusic. February 13, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did Information technology Again Australia Special Edition w/Bonus Disc of Remixes And Videos". Tape Runner USA . Retrieved August 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Again Express LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did Information technology Again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Express Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again 20th anniversary edition picture vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [But Hits. Year by year. 1959-2002] (in Castilian). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops%21..._I_Did_It_Again_%28album%29
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